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“The Wound” by John Trengove has even longer legs, reaching from Sundance World Pop Aye director Kirsten Tan won the Big Screen Competition and in addition to the cash prize may also count on a guaranteed release in Dutch cinemas and on TV. “ Marjorie Prime”: Director Michael Almereyda, Lois Smith and Jon Hamm “Chile’s “ Family Life” by Alicia Scherson and Cristian Jimenez, Singapore’s “ Pop Aye”, “ Lady Macbeth” and “Sami Blood” all screened here after premiering in Sundance as well. His documentary, “Escapes” also played in the Regained section of the festival. Making their way from Sundance to Rotterdam, “Lemon” was Opening Night in the International Film Festival Rotterdam, Sloan Prize Winner “ Marjorie Prime” played in Voices while director Michael Almereyda was on the Jury of the Hivos Tiger Competition. To Rotterdam ’17 (Iffr) from Sundance ’17įilms and projects travel from Sundance to Rotterdam and Rotterdam’s love affair with Latin America becomes apparent.
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Remember the scenes of John McClane dragging his bloodied torso around the Nakatomi Plaza? Well, pretty much every character spends most of the movie doing that, except in far more excruciating detail. What is important is that Wheatley takes just about every Die Hard-style action movie trope to its furthest limit. The ‘70s-set plot involves an arms deal in an abandoned warehouse gone horribly wrong, but the particulars aren’t especially important.
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It’s probably fitting that Free Fire didn’t get a fair shake at the box office, if only because it seems destined, if not conceived outright, for a spot in the “underappreciated cult classic canon.” While the film, boasting an A-list cast led by Brie Larson, would appear to be co-writer/director Ben Wheatley’s most commercial film to date, Free Fire winds up shooting its way so far through the mainstream action genre that it winds up back in arthouse territory. The Unbearable Loudness of Gunfire: An Interview with Ben Wheatley In 2012, when this piece was first posted, it seemed like a good moment to throw the country’s history and contradictions into some sort of quick relief, and the most expedient way of doing that for me was to look at the way the United States (and the philosophies at its core) were reflected in the movies, and not just the ones which approached the country head-on as a subject.
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The United States is “my country, right or wrong,” of course, and I consider myself a patriotic person, but I’ve never felt that patriotism meant blind fealty to the idea of America’s rightful dominance over global politics or culture, and certainly not to its alleged preferred status on God’s short list of favored nations, or that allegiance to said country was a license to justify or rationalize every instance of misguided, foolish, narrow-minded domestic or foreign policy. Wild, Dangerous, Imperfect, Wounded Grandeur: 18 Double Features About America That’s all you’re gonna get in this rodeo.
One of the rodeo vets got a look at the lank newcomer and told him, “Slim pickin’s.
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Lindley joined the rodeo circuit when he was 13 and soon picked up the name that would follow him throughout the length of his professional career, in rodeo and in movies & TV. Strangelove…, or the racist taskmaster heading up the railroad gang in Blazing Saddles, or the doomed Sheriff Baker, who gets one of the loveliest, most heartbreaking sendoffs in movie history in Sam Peckinpah’s Pat Garrett and Billy the Kid. If that name doesn’t sound familiar, well, then just picture the fella riding the bomb like a buckin’ bronco at the end of Dr.
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On Monday, August 28, 2017, Turner Classic Movies will devote an entire day of their “Summer Under the Stars” series to the late, great Louis Burton Lindley Jr. So again, if you don’t know the name Walter Mirisch,ġ941: A Great Comedy For Slim Pickens Day If for some crazy reason you don’t know the name, let me tell you the Mirisch Corporation, which he founded with brothers Harold and Marvin, was sort of the Marvel of its time except it was about much more than comic book superheroes, a true independent in the studio system, that turned out hit after hit, many winning Oscars, that provided a safe haven for some of the great filmmakers of the time including Billy Wilder, John Sturges, Robert Wise, Norman Jewison, Blake Edwards, Hal Ashby, George Roy Hill, not to mention films directed by greats of Hollywood’s golden era including John Ford, William Wyler, Michael Curtiz and on and on. Today this legendary producer turns 100 years old and is still going strong. After the 2020 death of Olivia DeHavilland at age 104, Walter Mirisch became the oldest living winner of an Academy Award.